This painting is my interpretation of an old photo owned by my stepfather. It is a scene in the woods of France during WWII. The painting is acrylic on canvas panel. I plan to try other interpretations--there is a mystery in this old photo that begs to be interpreted.
Perhaps if you zoom in you can see the extra texture applied to the trees.
Wednesday, June 20, 2012
Sunday, June 17, 2012
A Rose by any other name
Tuesday, May 15, 2012
Come to the West Austin Studio Tour May 19 and 20
I haven't had time to post my newest creations yet, but if you come to the West Austin Studio Tour this weekend, you can see them first hand. You will also see many other artists. I will have a table in the Fellowship Hall of UBC on the corner of 22nd and Guadalupe from 11-6 on Saturday and 12-6 on Sunday. I hope to see you there.
Terri
Terri
Wednesday, November 23, 2011
An Artist's Thanksgiving
I give thanks for shimmering colors
that cascade like waterfalls in our lives
translucent teardrops that hold the pearls
of age-old visions and contemporary fear.
Thanks, as well, for sharp, bold lines
ragged shapes, and rugged texture,
the elements of seeing and reading
and distributing whirls of ecstasy
under a frequently monotonous sky.
Thank you for the patterns,
the intricacies that come from loving
creation: the people, and places
and sounds and sights of earth.
By Terri Vaughn
Monday, October 31, 2011
Ancient Architecture
Ghosts and dreams
Footsteps forward
and atrĂ¡s
Treading softly, whispering
Imaginations piling altars
Of ancient stone, constructing cities
In our memories. In our hearts
Turning fallow inspiration into
Hope and mirrors.
Looking glass of history and future
Tunneling the time
Pushing destiny, tugging
At the cords, short and eternal.
Lying heavy with child through
Eons of centuries, alone
and accompanied;visions of
Possibilities, creating life
And breathing faith into
The empty caverns of men’s souls.
by Terri Vaughn
Wednesday, October 26, 2011
LILY DREAMS (acrylic on canvas panel)
If you zoom in on different areas of the painting, you will see that I've applied the heaviest
texture on the front petals and leaves and left the background flat.
Monday, October 24, 2011
Under the Sea (acrylic on stretched canvas)
This work is another example of my favorite technique of applying dried paint over an acrylic wash. This time I've placed the canvas in a shadow box frame with onion skin paper covering the back. If placed on a window ledge during the day or in front of a light, the effect is eerie.
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